Bookbuilders of Boston is a nonprofit organization dedicated to bringing together people involved in book publishing and manufacturing throughout New England. Our blog describes industry events that we sponsor or attend.
Sunday, October 30, 2011
Production, Manufacturing, and Inventory Workshop Confronts Smaller Print Runs and New Formats
Tuesday, October 25, 2011
Third Bookbuilders Workshop Generates Advance Interest
Thursday, October 20, 2011
Bookbuilders of Boston continued its 2011 Fall Workshops on Wednesday evening at Pearson Education’s offices.
Cate Barr, Senior Art Director at Cengage Learning, shared that she enjoys in her role the opportunity to become actively involved with editors and authors. During a question and answer session, she offered suggestions on what a designer needs to show when interviewing. It is important to show not just a strong portfolio but also that one can be actively involved in problem solving, take direction well, and be a team member.
Erin Hasley, Senior Designer at MIT Press, expressed that pride can sometimes be an issue. As a designer, one has to learn to accept criticism that can sometimes be unabashed and unrelenting. Erin offered that sometimes if a design is just not working, she takes a break from it, and then comes back to it at a later time. This can help one to rejuvenate and refresh.
George Restrepo, of Rest-Design, offered his insights for working as a freelancer. He shared the importance of nurturing successful client-based relations. If a designer values those relations, things will progress from there. He explained one of the challenges of being a designer is how to weed out different types of feedback. He told the group that a lot of people do not know what they want until they see it. One solution is to show a few variations on a particular design and see where the feedback goes.
Questions involved whether or not one should create portfolios geared toward print or digital design. All of the designers agreed that there is no magic answer to putting together a portfolio, but it is important when putting one together to focus on showing the fundamentals.
EBooks and XML typesetting were discussed as well. EBooks are generally pdf files of the printed book, so there are usually no extra elements involved. The speakers agreed that designing across platforms would technically become easier in the future.
Thank you to Lehigh Phoenix for sponsoring this workshop.
Tuesday, October 18, 2011
2011 Workshops Kick Off Strong
Jennifer Urban-Brown covered acquisitions and editorial topics. At Shambhala, she actively acquires titles, reaching out to potential authors to fill needs in the list. Unsolicited manuscripts, foreign works, and agents provide leads as well, but publishers often have to be proactive in order to meet the specific goals that they have set for new titles.
Jennifer discussed the difference between developmental editing--in my experience, often kept in-house--and copyediting, which is often outsourced. The in-house team that works with an author must be sensitive to the author's needs and also effective in communicating the vision for a book to other departments.
Becky Hemperly, a Bookbuilders scholarship recipient, has had a wide range of experience across publishing departments. This led her to recognize that a book's contract should be forward-thinking and cover as many considerations over the life of the book as possible--not only royalties and complimentary copies, but the needs of production, sales, and marketing as well.
Lastly, Joanne Wyckoff of the Carol Mann Agency spoke about her personal publishing journey. She worked as an editor at Random House in New York for thirteen years, where she negotiated all her own contracts. On the flip side, as an agent, Joanne now spends a good deal of time editing: polishing a manuscript before it is presented for consideration by publishers.
The Q&A session was lively, with the following highlights for Joanne:
What was the most difficult situation you've encountered?
Hint: Author relations.
How do you evaluate agents?
Think: networking.
To work as an assistant at a literary agency, how important is it to have editorial experience?
Surprise: Business acumen is as important for those pursuing this career.
Thank you to the Maple-Vail Book Manufacturing Group for sponsoring this workshop.
Monday, October 17, 2011
October CNE in Harvard Square
Monday, October 10, 2011
October 2011 Events
Note that the workshops are free, but registration on the Bookbuilders website is required. There is security at the venue, and attendees names must appear on the reservation list. Photo ID is also required.